Hathor – Earth’s Ring of Debris (gks 2)

Saturn’s Spokes.

Saturn's shadowy ‘Spokes'

Photo depicting Saturn’s shadowy ‘Spokes’

“The spokes appear dark in backscattered light, and bright in forward-scattered light. It is assumed that they are microscopic dust particles that have levitated away from the ring plane and that they are connected to electromagnetic interactions, as they rotate almost synchronously with the magnetosphere of Saturn. However, the precise mechanism generating the spokes is still unknown”


A video of Saturn’s spokes can also be found here, here and here.

Taking the supposition earth was indeed surrounded by a ring of debris only a few thousand years ago, is it possible similar shadowy Spokes were observed amongst earth’s rings? I believe so.

Book Of Dead

If I could draw your attention to the ‘squatting figures’ atop of the funerary papyrus above and the images below. These figures feature prominently in Egyptian art especially in regards to the afterlife. There are hundreds of such images in Faulkner’s BOD. They also adorn numerous tomb walls, normally taking position on the top registrar of a side wall adjoining starry night ceilings (location important). Nefertari’s (wife of Ramesses the Great) tomb would be a good example.

Squatting Figures Afterlife

Squatting Figure

Squatting Figure Osiris

Squatting Figure

I consider such images to be unusual, even unnatural way to draw squatting figures.

The following link reveals the Egyptians were quite capable of drawing ‘proper’ figures http://www.flickr.com/photos/ggnyc/2505503956/ so, where and how did such ubiquitous images originate?

If we make comparisons between the NASA photo (& Video) and the Egyptian figures, the similarity is quite striking, to much to be a coincidence.

I believe the origin of these distinctly odd shaped almost mummy form deities came about as a direct result of physical observations of Saturn-like spokes within earth’s rings (Hathor). Even down to the slightly curved bits at the base of the figures – these representing the curvature and the point at which they join Earth’s rings.

Although the majority of Egyptians were illiterate we have assume they understood the meaning of the above Judgement Hall scenes and the gods contained within. So, if you believe I am merely tea leaf reading then the question has to be, where, if not from observable phenomenon did such images originate? Who invented these figures?

Update Nov 22, 2008

It stands to reason if earth was indeed home to an astral equatorial rings system other cultures would also deify this and represent it in their art. I believe the Sumerian’s deified earth’s ring system as the nurturing goddess Ninhursag.

The Sumerian goddess Ninhursag (Hathor)

Ninhursag means “Lady of the Mountain.” This gives us a definitive connection to the Egyptian goddess Hathor who was also “Lady of the Mountain.” Two separate cultures deifying the same cosmic mountain.

Ninhursag’s images are very similar to the ‘omega’ images of Hathor as seen below.

 Ninhursag's bovine attributes.

Hathor wig

Ninhursag’s bovine attributes represented in the imagery as below.

 Milking scenes from the Temple of Ninhursag, - Tell al Ubaid, c. 2400 B.C.

Milking scenes from the Temple of Ninhursag. Tell al Ubaid, c. 2400 B.C.

Ninhursag’s traits are very similar to that of Hathor for example. Ninhursag means “Lady of the Foothills” “Great Queen,” “Lady of Birth” and “Lady of the gods.” Similarly, Hathor was the Goddess of fertility, children and childbirth, also Egyptian royal titles included the “Son of Hathor.”

Hathor: The great one of many names – Ninhursag: She had many names including…

Ninmah (“Great Queen”); Nintu (“Lady of Birth”); Mama or Mami (mother); Aruru (sister of Enlil); Belet-Ili (lady of the gods, Akkadian). Minor synonyms include Ninzinak (lady of the embryo); Nindim (lady fashioner); Nagarsagak (carpenter of insides); Ninbahar (lady pottery); Ninmag (lady vulva); Ninsigsig (lady of silence); Mudkesda (blood-stauncher); Amadugbad (mother spreading the knees); Amaududa (mother who has given birth); Sagzudingirenak (midwife of the gods); Ninmenna (lady of the diadem) (source, Wikipedia)

According to legend her name was changed from Ninmah to Ninhursag by her son Ninurta in order to commemorate his creation of the mountains. As Ninmenna, according to a Babylonian investiture ritual, she placed the golden crown on the king in the Eanna temple (ibid) Hathor: “The golden one.”

Omega Symbol GodsHer symbol the omega (O) has been depicted in art from around 3000 BC, though more generally from the early second millennium. It appears on some boundary stones—on the upper tier, which indicates her importance (ibid)

With Ninhursag’s Omega we have a direct connection with Hathor’s curling wig as seen in the images above.


“Ninhursag’s prestige decreased as Ishtar’s increased” (Crystalinks).

At the moment, I associate Isis with Ishtar and to keep this simple the ecliptic (path of the sun and the planets). So this is consistent with the Egyptian goddess Isis rising to prominence over Hathor in later times (Ptolemaic). Or, to give the whole thing real world physical presence; Earth’s ring (Hathor) slowly dissipating as the god king planets moved away from earth and settled down to come under the authority of the ecliptic (Isis).

Saturn’s rings, the Nemes headcloth and the see through attire worn by the Egyptians.

Seti Nemes HeadclothPharaoh Nemes Headcloth

The nemes was the striped headcloth worn by pharaohs in ancient Egypt . It covered the whole crown and back of the head and nape of the neck (sometimes also extending a little way down the back) and had two large flaps which hung down behind the ears and in front of both shoulders. It was sometimes combined with the double crown , as it is on the statues of Ramesses II at Abu Simbel (Wikipedia).

Saturn's Rings PlanetsTutankhamun Golden MaskIf I could draw you attention to very distinct striped headgear worn by the Pharaohs and the see through clothing. And now take a look at Saturn’s rings (Nasa) for an analogy.

I believe the striped Nemes headcloth and the see-through attire worn by the Egyptians came about a direct result of god king planets appearing amidst earth’s rings (Hathor).

The red flesh represents the red of the planet kings (maily Mars)

Saturn's Gravity Waves

The stripes of earth’s rings playing a very important part in Egyptian art.

Striped pyramid skirts – planetary god kings ‘gravitationally’ perturbing earth’s rings thus forming the shape of pyramids – observed day (hazed red sun) and night.

Pyramid's Pharaoh Smiting

Note the similarity between the lines in the pyramids ‘skirts’ and Saturn’s ‘groves.’

Pyramid Skirt Pharaoh

Ramesses wearing a pyramid skirt

Afterlife Scene Egyptians

Attire worn by the AE’s taken from the dust ‘groves’ of earth’s rings

She-wolf suckling Romulus and Remus

 She-wolf suckling Romulus and Remus

Its quite possible, in fact highly likely earth’s rings or bands of debris littered the solar system well into Roman Times and here we have Romulus and Remus as guises of bodies emulating Egyptian Pharaohs by sucking material (milk) from the heavenly abode.